From Continuity to Rhythm

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dc.contributor.authorMiranda Medina, Juan Felipe
dc.date.accessioned2023-11-07T15:59:13Z
dc.date.available2023-11-07T15:59:13Z
dc.date.issued2022
dc.description.abstractThis work departs from the opposition between continuity and discontinuity as formulated by semiotician Eric Landowski. I argue that the opposition is a complex that can be fruitfully analysed in terms of self-identity vs difference, unity vs diversity and determinism vspure randomness. The study of these oppositions deploying Greimas’s square provides an insight into the notions of difference, boundary and cohesion. These will be key to the formulation of a semiotic concept of Harmony as the interplay between a unifying and a diversifying force. Harmony, I claim, is the first step for the study of rhythm as a semiotic concept.es_PE
dc.description.uriTrabajo académicoes_PE
dc.identifier.doihttps://doi.org/10.23925/2763-700X.2022n3.58398
dc.identifier.urihttps://hdl.handle.net/20.500.12590/17807
dc.language.isoeng
dc.publisherActa Semiotica
dc.publisher.countryBR
dc.relation.urihttps://revistas.pucsp.br/actasemiotica/article/view/58398
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceUniversidad Católica San Pabloes_PE
dc.subjectcontinuity vs discontinuityes_PE
dc.subjectdeterminism vs randomnesses_PE
dc.subjectidentity and differencees_PE
dc.subjectrhythmes_PE
dc.subject.ocdehttp://purl.org/pe-repo/ocde/ford#6.02.00
dc.titleFrom Continuity to Rhythmes_PE
dc.typeinfo:eu-repo/semantics/article
dc.type.versioninfo:eu-repo/semantics/publishedVersion
renati.discipline712096
renati.typehttps://purl.org/pe-repo/renati/type#trabajoAcademico
thesis.degree.disciplineIngeniería Electrónica y de Telecomunicacioneses_PE
thesis.degree.grantorUniversidad Católica San Pablo. Departamento de Ingeniería Electrónica y de Telecomunicaciones
thesis.degree.programEscuela Profesional Ingeniería Electrónica y de Telecomunicacioneses_PE
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